
What they want, this film offers: a stylish, ultra-hip twist to one of humanity's oldest, darkest legends. Overexposure" is going to damage From Dusk Till Dawn's box-office prospects, since the target audience won't care about the prevailing opinion of the screenwriter/co-star. His deadpan delivery of lines like "psychos do not explode when sunlight hits them" is priceless.Īt present, there is a Tarantino backlash in progress, but it's unlikely that the growing public dislike of "Mr.
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TV veteran George Clooney, making his feature debut, generates a palpable screen presence.

Everyone else is just out there kicking butt, taking their lumps, and occasionally getting bitten in the neck. The only one who really attempts any sort of real acting is Keitel. Depending on your opinion of the two men, this can be seen as either clever or self-indulgent. There are also numerous references, visual and otherwise, to previous work by Tarantino and Rodriguez. The script is peppered with deadpan humor, from allusions to Peter Cushing's Hammer Horror battles against Dracula to Harvey Keitel's Bible quotations as he sets about taking out his demonic opponents. That said, however, there's still a snappy rhythm to the way the men, women, and undead of From Dusk Till Dawn speak. Only one problem: the place is run by vampires, and, after a little topless dancing, it's feeding time.įor the most part, Tarantino's dialogue here pales in comparison to what he wrote for Reservoir Dogs and Pulp Fiction. Once in Mexico, the five stop at an all-night bar for a little R&R. So, to that end, they hijack the mobile home of ex-preacher Jacob Fuller (Harvey Keitel) and his two kids (Juliette Lewis and Ernest Lieu), and force them, at gunpoint, to help. They're on their way to Mexico, but they need a cover to get across the border. The film opens by introducing us to two bank robbers on the run - Seth Gecko (George Clooney) and his nutcase brother Richie (Tarantino). In From Dusk Till Dawn, the setup is as long as the main story. Although a terrible performer, he doesn't actually damage the movie, however, because acting ability has little merit here. (Tarantino appeared in Rodriguez's Desperado and the two were both involved in Four Rooms.) For this film, not only is Tarantino credited with the screenplay, but he has a significant on-screen role. From Dusk Till Dawn will appeal to only a small portion of the cinema-visiting population, but for those who enjoy this kind of tongue-and-cheek horror story, the film has a lot to offer.įrom Dusk Till Dawn marks the most recent phase in the creative collaboration between Rodriguez and Quentin Tarantino.
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The movie has been designed as a burst of high energy, and that's exactly what it turns out to be. There aren't any characters here - only caricatures.

The film is steeped in wit, parody, and offbeat humor. Yet the reason From Dusk Till Dawn entertains is because it never takes itself seriously. With its palette of hideous monstrosities, decapitations, dismemberments, eviscerations, topless dancers, profane dialogue, and bare foot licking, this motion picture pushes the R-rating to the edge. From Dusk Till Dawn, a special effects blood-and-gore extravaganza from director Robert Rodriguez, follows in the footsteps of such cult classics as Sam Raimi's Evil Dead series, thumbing its nose at conventional film expectations and gleefully embracing the campiness of the B-movie genre.

It's great fun, but certainly not great art.
